{"id":42119,"date":"2015-09-29T15:00:47","date_gmt":"2015-09-29T13:00:47","guid":{"rendered":"http:\/\/hipstography.com\/?p=42119"},"modified":"2015-09-29T15:34:01","modified_gmt":"2015-09-29T13:34:01","slug":"hipstamatic-300-to-frame-or-not-to-frame","status":"publish","type":"post","link":"https:\/\/hipstography.com\/en\/manual\/hipstamatic-300-to-frame-or-not-to-frame.html","title":{"rendered":"Hipstamatic 300 \u2013 To frame or not to frame"},"content":{"rendered":"

In the early days, each film in the Hipstamatic catalogue had a specific frame, which was, incidentally, part of the brand concept. It allowed you to easily identify a Hipstamatic shot; the borderless films only appeared later. Some of the frames are rather discrete, like with Rasputin or DC, others were a lot less subtle: Pistil, BlacKeys B+W, Float, Estrada 83\u2026<\/h4>\n

Apart from the frame, each Hipstamatic<\/strong> film has its own characteristics: tone, nuances, grain, effects\u2026 One of the new options in this new version\u00a0is that you can remove the frame while the overall style remains intact. It\u2019s a really nice addition if you want to keep the style of a certain film, but remove the frame.<\/p>\n

This function can be accessed in the Editing Suite<\/strong><\/span><\/a>.\u00a0As an example, I chose BlacKeys B+W<\/strong>, because it is known for the embedded date in the frame and its particular tone; it\u2019s not a bona fide monochrome but close enough. All you need to do is to select the frame option on the right bottom corner of the screen.<\/p>\n\n\t\t