Lens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\nFilm: \u00a0Runway\u00a0<\/strong><\/span><\/a><\/h5>\n![\"Fashion-SnapPak-reactions-Wendy-Garfinkel-Gold\"](\"http:\/\/hipstography.com\/wp-content\/uploads\/2016\/05\/Fashion-SnapPak-reactions-Wendy-Garfinkel-Gold.jpg\")
<\/a><\/p>\n <\/p>\n
Erik Lieber<\/h4>\n
\"The new Fashion Pak is quite interesting. The movement created by the Tachman lens combined with the reflective quality of the Runway film yields some very stylized images. Playing with the sliders on the film and lens offers exciting results. You can intensify the reflection in Runway by dialing up the slider but if you prefer a more subtle reflection, dial it down. With Tachman, when the slider is pushed all the way to the right, it can produce a partial negative effect.<\/em> I had some real fun with the Tachman lens. I found that if you shoot an object in motion or a scene with action, it really enhances the movement. Shooting stationary objects with the lens creates a pleasing blur. I've also had a lot of success shooting flowers. It lends a breezy kind of movement to the flower while leaving the background fairly motion free.<\/em> So far, my favorite film to combine with Tachman is Uchitel 20. By adding the Standard flash to this combo you can create a very appealing glow. For the moment, I feel I will use Tachman and Runway independent of each other, most likely focusing on Tachman, as I like the entropy it creates. Since both the film and lens create multiple images, both can be used as an alternative to, or in conjunction with, Salvador 84. I'm looking forward to further experiments with both the film and the lens over the coming weeks.\"<\/em><\/p>\nLens: \u00a0Tachman (100)\u00a0<\/strong><\/span><\/a><\/h5>\nFilm: \u00a0Uchitel 20\u00a0<\/strong><\/span><\/a><\/h5>\nFlash: \u00a0Standard\u00a0<\/strong><\/span><\/a><\/h5>\nClarity: 81\u00a0\u2022 Definition: 60\u00a0\u2022 Vignette:\u00a056<\/h5>\n
![\"Fashion-SnapPak-reactions-Erik-Lieber-01\"](\"http:\/\/hipstography.com\/wp-content\/uploads\/2016\/05\/Fashion-SnapPak-reactions-Erik-Lieber-01.jpg\")
<\/a><\/p>\n![\"Fashion-SnapPak-reactions-Erik-Lieber-02\"](\"http:\/\/hipstography.com\/wp-content\/uploads\/2016\/05\/Fashion-SnapPak-reactions-Erik-Lieber-02.jpg\")
<\/a><\/p>\n <\/p>\n
Paride Ficente<\/h4>\n
\"When it comes to lenses and films, I don\u2019t really like pronounced effects, vignettes or blurs; in my opinion they overload the picture and I\u2019m more inclined towards color filters. The Fashion SnapPak adds a strong and distinctive effect, but despite this, I find the Tachman lens rather intriguing. It adds dynamics or an almost eerie atmosphere to the photographed subject and the light. I prefer tweaking down the intensity a bit.<\/em> I like matching it with BW films, especially with Blackeys44 or with T. Roosevelt\/Flash Triple Crown-combo, as these seem to add a 30\u2019s feel to portraits, which reminds me of some pictures of Marlene Dietrich.\u00a0Pairing Tachman with Blanko BL4 (possibly with the help of Tasty Pop Flash) gives an interesting color combination like 'Bleach Bypass'.\"<\/em><\/p>\nLens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\nFilm: \u00a0Gotland\u00a0<\/strong><\/span><\/a><\/h5>\nFlash: \u00a0Juicy Orange Gel\u00a0<\/strong><\/span><\/a><\/h5>\n![\"Fashion-SnapPak-reactions-Paride-Ficente\"](\"http:\/\/hipstography.com\/wp-content\/uploads\/2016\/05\/Fashion-SnapPak-reactions-Paride-Ficente.jpg\")
<\/a><\/p>\n <\/p>\n
Alex McCormick<\/h4>\n
\"The Fashion Pak is an interesting one, if maybe a bit gimmicky. I do like the sense of movement and light it produces. My personal experience is that it works best photographing people or things in motion, such as birds: movement becomes exaggerated and almost ghost-like.<\/em> It's worth shaking the Pak to produce different results. Sometimes my photos look like they have objects reflected in water, which I like. I've experimented with moving the sliders to the max - I like to take things to the extreme - and love the graphic quality this creates. When mixing with other equipment, I've gotten better results using Tachman with other films, such as Uchitel 20. But can't really say I like the Runway film that much with other lenses.<\/em> I can see myself using the Fashion Pak on occasion, but the equipment won't be part of my regular go-to films and lenses. It has limited appeal to me, but who knows, it might grow on me over time.\"<\/em><\/p>\nLens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\nFilm: \u00a0Runway\u00a0<\/strong><\/span><\/a><\/h5>\nFlash: \u00a0Juicy Orange Gel\u00a0<\/strong><\/span><\/a><\/h5>\n![\"Fashion-SnapPak-reactions-Alexandra-McCormick-01\"](\"http:\/\/hipstography.com\/wp-content\/uploads\/2016\/05\/Fashion-SnapPak-reactions-Alexandra-McCormick-01.jpg\")
<\/a><\/p>\n <\/p>\n
Lens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\nFilm: \u00a0Runway\u00a0<\/strong><\/span><\/a><\/h5>\n![\"Fashion-SnapPak-reactions-Alexandra-McCormick-02\"](\"http:\/\/hipstography.com\/wp-content\/uploads\/2016\/05\/Fashion-SnapPak-reactions-Alexandra-McCormick-02.jpg\")
<\/a><\/p>\n <\/p>\n
Sabine Gromek<\/h4>\n
\"Like every first Friday, I am very curious and eager to try out the new pak. Since it was my turn to come up with a combo for the weekly Hipstamatic Sardinia contest, I decided to use either Runway or Tachman, or both. I tried different combinations and my conclusion is that, generally, I don\u2019t like them together. The reflective effect often distracts from the subject, although I do like Tachman in combination with other films. It works well with everything in motion since it adds traces of movement to the subject,\u00a0whether that\u2019s people or natural settings, i.e. flowers, trees. It works well with films like Gotland or Telegraph, which aren\u2019t too intense in color are. I have also obtained nice results with Uchitel.<\/em>\u00a0The \u201cshake function\u201d in 300 Pro Mode can make a huge difference.\"<\/em><\/p>\nLens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\nFilm: \u00a0Gotland\u00a0<\/strong><\/span><\/a><\/h5>\nFlash: \u00a0Tasty Pop\u00a0<\/strong><\/span><\/a><\/h5>\n![\"Fashion-SnapPak-reactions-Sabine-Gromek\"](\"http:\/\/hipstography.com\/wp-content\/uploads\/2016\/05\/Fashion-SnapPak-reactions-Sabine-Gromek.jpg\")
<\/a><\/p>\n <\/p>\n
Ger van den Elzen<\/h4>\n
\"At first, I was a bit disappointed with the Fashion SnapPak. The results I got differed too much from the samples presented by Hipstamatic, so I had to find out how Kevin Tachman and Hipstamatic performed their magic trick.\u00a0To me, it was obvious that the best results would only be obtained by making use of the Hipstamatic editing tools and this meant that I had to refrain from shooting in Classic Mode. When I used the Fashion SnapPak for the first time, I really disliked the Runway Film; it looked like it screwed up the final result and this was my main reason for minimizing the effect of the Runway Film, by moving the cursor to the left.<\/em> My next action was the 'shake' function. In the editing mode I just shake my phone to get different variations of the image that I'm working on. The Runway Film became a real challenge for me. What to do with it? I love the idea of creating mirrored images so why not make use of this film? The mirrored effect is really enhanced by the 'shake' functionality.<\/em> For me, the most important 'hidden functionality' within the Fashion SnapPak was the outcome when I changed the exposure. By making use of the Exposure Cursor (reduce exposure), I could influence the motion effect of the Tachman Lens, without changing the exposure itself. When I reduced the exposure of the Runway Film, I noticed that, in combination with different lenses, the exposure on the mirrored part only changed in the original part of the picture. This function works great when shooting portraits and the result is closest to what Kevin Tachman & Hipstamatic presented.\"<\/em><\/p>\nLens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\nFilm: \u00a0Runway\u00a0<\/strong><\/span><\/a><\/h5>\nFlash: \u00a0Standard\u00a0<\/strong><\/span><\/a><\/h5>\nExposure: -0.6 \u2022 Clarity: 20\u00a0\u2022 Definition: 20<\/h5>\n
![\"Fashion-SnapPak-reactions-Ger-van-den-Elzen-02\"](\"http:\/\/hipstography.com\/wp-content\/uploads\/2016\/05\/Fashion-SnapPak-reactions-Ger-van-den-Elzen-02.jpg\")
<\/a><\/p>\n <\/p>\n
Lens: \u00a0Tachman (59)\u00a0<\/strong><\/span><\/a><\/h5>\nFilm: \u00a0Runway (1)\u00a0<\/strong><\/span><\/a><\/h5>\nFlash: \u00a0Laser Lemon Gel\u00a0<\/strong><\/span><\/a><\/h5>\nClarity: 20\u00a0\u2022 Definition: 20 \u2022 Vibrancy: +20<\/h5>\n
![\"Fashion-SnapPak-reactions-Ger-van-den-Elzen-01\"](\"http:\/\/hipstography.com\/wp-content\/uploads\/2016\/05\/Fashion-SnapPak-reactions-Ger-van-den-Elzen-01.jpg\")
<\/a><\/p>\n <\/p>\n
Rob Meeuwsen<\/h4>\n
\"It\u2019s always exciting to try out a new Hipstapak. While watching the Eurovision Songcontest, I just had to snap the Dutch performer, Douwe Bob, with the Fashion SnapPak<\/strong> and I have to say I am really pleasantly surprised by the result, especially the stunning effect in the white parts. Chapeau Hipstamatic<\/strong>!\"<\/em><\/p>\nLens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\nFilm: \u00a0Runway\u00a0<\/strong><\/span><\/a><\/h5>\n
<\/p>\n \"The new Fashion Pak is quite interesting. The movement created by the Tachman lens combined with the reflective quality of the Runway film yields some very stylized images. Playing with the sliders on the film and lens offers exciting results. You can intensify the reflection in Runway by dialing up the slider but if you prefer a more subtle reflection, dial it down. With Tachman, when the slider is pushed all the way to the right, it can produce a partial negative effect.<\/em> I had some real fun with the Tachman lens. I found that if you shoot an object in motion or a scene with action, it really enhances the movement. Shooting stationary objects with the lens creates a pleasing blur. I've also had a lot of success shooting flowers. It lends a breezy kind of movement to the flower while leaving the background fairly motion free.<\/em> So far, my favorite film to combine with Tachman is Uchitel 20. By adding the Standard flash to this combo you can create a very appealing glow. For the moment, I feel I will use Tachman and Runway independent of each other, most likely focusing on Tachman, as I like the entropy it creates. Since both the film and lens create multiple images, both can be used as an alternative to, or in conjunction with, Salvador 84. I'm looking forward to further experiments with both the film and the lens over the coming weeks.\"<\/em><\/p>\n <\/p>\n \"When it comes to lenses and films, I don\u2019t really like pronounced effects, vignettes or blurs; in my opinion they overload the picture and I\u2019m more inclined towards color filters. The Fashion SnapPak adds a strong and distinctive effect, but despite this, I find the Tachman lens rather intriguing. It adds dynamics or an almost eerie atmosphere to the photographed subject and the light. I prefer tweaking down the intensity a bit.<\/em> I like matching it with BW films, especially with Blackeys44 or with T. Roosevelt\/Flash Triple Crown-combo, as these seem to add a 30\u2019s feel to portraits, which reminds me of some pictures of Marlene Dietrich.\u00a0Pairing Tachman with Blanko BL4 (possibly with the help of Tasty Pop Flash) gives an interesting color combination like 'Bleach Bypass'.\"<\/em><\/p>\n <\/p>\n \"The Fashion Pak is an interesting one, if maybe a bit gimmicky. I do like the sense of movement and light it produces. My personal experience is that it works best photographing people or things in motion, such as birds: movement becomes exaggerated and almost ghost-like.<\/em> It's worth shaking the Pak to produce different results. Sometimes my photos look like they have objects reflected in water, which I like. I've experimented with moving the sliders to the max - I like to take things to the extreme - and love the graphic quality this creates. When mixing with other equipment, I've gotten better results using Tachman with other films, such as Uchitel 20. But can't really say I like the Runway film that much with other lenses.<\/em> I can see myself using the Fashion Pak on occasion, but the equipment won't be part of my regular go-to films and lenses. It has limited appeal to me, but who knows, it might grow on me over time.\"<\/em><\/p>\n <\/p>\n <\/p>\n \"Like every first Friday, I am very curious and eager to try out the new pak. Since it was my turn to come up with a combo for the weekly Hipstamatic Sardinia contest, I decided to use either Runway or Tachman, or both. I tried different combinations and my conclusion is that, generally, I don\u2019t like them together. The reflective effect often distracts from the subject, although I do like Tachman in combination with other films. It works well with everything in motion since it adds traces of movement to the subject,\u00a0whether that\u2019s people or natural settings, i.e. flowers, trees. It works well with films like Gotland or Telegraph, which aren\u2019t too intense in color are. I have also obtained nice results with Uchitel.<\/em>\u00a0The \u201cshake function\u201d in 300 Pro Mode can make a huge difference.\"<\/em><\/p>\n <\/p>\n \"At first, I was a bit disappointed with the Fashion SnapPak. The results I got differed too much from the samples presented by Hipstamatic, so I had to find out how Kevin Tachman and Hipstamatic performed their magic trick.\u00a0To me, it was obvious that the best results would only be obtained by making use of the Hipstamatic editing tools and this meant that I had to refrain from shooting in Classic Mode. When I used the Fashion SnapPak for the first time, I really disliked the Runway Film; it looked like it screwed up the final result and this was my main reason for minimizing the effect of the Runway Film, by moving the cursor to the left.<\/em> My next action was the 'shake' function. In the editing mode I just shake my phone to get different variations of the image that I'm working on. The Runway Film became a real challenge for me. What to do with it? I love the idea of creating mirrored images so why not make use of this film? The mirrored effect is really enhanced by the 'shake' functionality.<\/em> For me, the most important 'hidden functionality' within the Fashion SnapPak was the outcome when I changed the exposure. By making use of the Exposure Cursor (reduce exposure), I could influence the motion effect of the Tachman Lens, without changing the exposure itself. When I reduced the exposure of the Runway Film, I noticed that, in combination with different lenses, the exposure on the mirrored part only changed in the original part of the picture. This function works great when shooting portraits and the result is closest to what Kevin Tachman & Hipstamatic presented.\"<\/em><\/p>\n <\/p>\n <\/p>\n \"It\u2019s always exciting to try out a new Hipstapak. While watching the Eurovision Songcontest, I just had to snap the Dutch performer, Douwe Bob, with the Fashion SnapPak<\/strong> and I have to say I am really pleasantly surprised by the result, especially the stunning effect in the white parts. Chapeau Hipstamatic<\/strong>!\"<\/em><\/p>\n<\/a><\/p>\nErik Lieber<\/h4>\n
Lens: \u00a0Tachman (100)\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Uchitel 20\u00a0<\/strong><\/span><\/a><\/h5>\n
Flash: \u00a0Standard\u00a0<\/strong><\/span><\/a><\/h5>\n
Clarity: 81\u00a0\u2022 Definition: 60\u00a0\u2022 Vignette:\u00a056<\/h5>\n
<\/a><\/p>\n<\/a><\/p>\nParide Ficente<\/h4>\n
Lens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Gotland\u00a0<\/strong><\/span><\/a><\/h5>\n
Flash: \u00a0Juicy Orange Gel\u00a0<\/strong><\/span><\/a><\/h5>\n
<\/a><\/p>\nAlex McCormick<\/h4>\n
Lens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Runway\u00a0<\/strong><\/span><\/a><\/h5>\n
Flash: \u00a0Juicy Orange Gel\u00a0<\/strong><\/span><\/a><\/h5>\n
<\/a><\/p>\nLens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Runway\u00a0<\/strong><\/span><\/a><\/h5>\n
<\/a><\/p>\nSabine Gromek<\/h4>\n
Lens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Gotland\u00a0<\/strong><\/span><\/a><\/h5>\n
Flash: \u00a0Tasty Pop\u00a0<\/strong><\/span><\/a><\/h5>\n
<\/a><\/p>\nGer van den Elzen<\/h4>\n
Lens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Runway\u00a0<\/strong><\/span><\/a><\/h5>\n
Flash: \u00a0Standard\u00a0<\/strong><\/span><\/a><\/h5>\n
Exposure: -0.6 \u2022 Clarity: 20\u00a0\u2022 Definition: 20<\/h5>\n
<\/a><\/p>\nLens: \u00a0Tachman (59)\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Runway (1)\u00a0<\/strong><\/span><\/a><\/h5>\n
Flash: \u00a0Laser Lemon Gel\u00a0<\/strong><\/span><\/a><\/h5>\n
Clarity: 20\u00a0\u2022 Definition: 20 \u2022 Vibrancy: +20<\/h5>\n
<\/a><\/p>\nRob Meeuwsen<\/h4>\n
Lens: \u00a0Tachman\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Runway\u00a0<\/strong><\/span><\/a><\/h5>\n
![\"Fashion-SnapPak-reactions-Rob-Meeuwsen\"](\"http:\/\/hipstography.com\/wp-content\/uploads\/2016\/05\/Fashion-SnapPak-reactions-Rob-Meeuwsen.jpg\")
<\/a><\/p>\n