{"id":61908,"date":"2017-05-20T17:34:02","date_gmt":"2017-05-20T15:34:02","guid":{"rendered":"http:\/\/hipstography.com\/?p=61908"},"modified":"2017-05-20T17:34:02","modified_gmt":"2017-05-20T15:34:02","slug":"the-autochrome-snappak-your-reactions-2","status":"publish","type":"post","link":"https:\/\/hipstography.com\/en\/news-en\/the-autochrome-snappak-your-reactions-2.html","title":{"rendered":"The Autochrome SnapPak: your reactions"},"content":{"rendered":"

1903: Auguste and Louis Lumi\u00e8re invented the first camera, capable of capturing life in color: the autochrome. More than a hundred years later, Hipstamatic pays tribute to the two pioneers with their Autochrome HipstaPak. The Hipstamatic catalogue now has another new lens, the Lumi\u00e8re and a new film, the A-Type Plate. Here are a few reviews from hipstographers who have been able to test this new Pak. And, who knows? They might give you some fresh ideas for new combos.<\/h4>\n

 <\/p>\n

Michel de Veld<\/h4>\n

\"My first reaction to the Autochrome SnapPak<\/strong> was: Yes! I like the vintage look of old photos, with hardly any colors. But when I used the combo, many photos became dark and a bit dull! It's a great combo when you have a pop of color and enough light. The Lumi\u00e8re<\/strong> lens is very versatile, it produces great blues and you can use it with different films. I was pleasantly surprised by the combination with the Louis XIV Infrared<\/strong> film. Later, I added the Yuletide<\/strong> flash and made some adjustments with the sliders\u2026 It became a crazy combo! Another photo I took is the mill reflection, for which I used the A-Type Plate<\/strong> film and paired it with the Aatto<\/strong> lens. Aatto<\/strong> just gave some extra sparkle and color to this photo. I think I'm going to use this new pak a lot, but mostly separately!<\/em>\"<\/em><\/p>\n

Lens: \u00a0Lumi\u00e8re\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Louis XIV Infrared\u00a0<\/strong><\/span><\/a><\/h5>\n
Flash: \u00a0Yuletide\u00a0<\/strong><\/span><\/a><\/h5>\n
Definition: 21 \u2022 Vibrancy: +83 \u2022 RGB: modified \u2022 Temperature: 7950<\/h5>\n

\"Autochrome-Michel-de-Veld-01\"<\/a><\/p>\n

 <\/p>\n

Lens: \u00a0Aatto\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0A-Type Plate (71%)\u00a0<\/strong><\/span><\/a><\/h5>\n

\"Autochrome-Michel-de-Veld-02\"<\/a><\/p>\n

 <\/p>\n

Ervin Vice<\/h4>\n

\"I usually mix and match lenses and films rather than maintain the integrity of any given pak. For instance, with this shot, I felt the Diego<\/strong> lens would accentuate the denim, mid-century beatnik vibe I was getting from the subject. The A-Type Plate<\/strong> film, from the Autochrome SnapPak<\/strong>, gives it a textural quality, almost as if the portrait were printed on canvas. Adding Triple Crown<\/strong> flash to the mix gave the light a very subtle bounce and prevented the image from being too flat.\"<\/em><\/p>\n

Lens: \u00a0Diego\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0A-Type Plate\u00a0<\/strong><\/span><\/a><\/h5>\n
Flash: \u00a0Triple Crown\u00a0<\/strong><\/span><\/a><\/h5>\n

\"Autochrome-Ervin-Vice\"<\/a><\/p>\n

 <\/p>\n

Cecilia M\u00f6ller<\/h4>\n

\"When I started shooting with the Autochrome SnapPak<\/strong>, we had grey weather and I was by the sea. Not as much diversity in the colors as I had expected. So, I tried to pair the lens with another film, Bream<\/strong>, and the colors popped in a nice way! I feel like you need to have a more colorful environment to get the most out of the new Pak. Unless you want a moody, mysterious look in low light conditions, like this second pic, then it's perfect.<\/em>\"<\/em><\/p>\n

Lens: \u00a0Lumi\u00e8re\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Bream\u00a0<\/strong><\/span><\/a><\/h5>\n

\"Autochrome-Cecilia-Moller\"<\/a><\/p>\n

 <\/p>\n

Kat Leeds Meininger<\/h4>\n

\"I was excited about the Autochrome<\/strong> SnapPak<\/strong> right from the beginning. Used together, the lens and film can present a desaturated background with pops of color, giving the combo a natural color-splash type of effect at times, which I like quite a bit. The new gear also performs well when paired with other lenses, films and flashes. I just love deep, rich, saturated colors, so I really prefer the Lumi\u00e9re<\/strong> lens with other films, like the shot I made with the Pistil<\/strong> film. The addition of the Apollo<\/strong> flash further deepened the color saturation. I anticipate using this new pak together, and separately, quite regularly.\"<\/em><\/p>\n

Lens: \u00a0Lumi\u00e8re\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Pistil\u00a0<\/strong><\/span><\/a><\/h5>\n
Flash: \u00a0Apollo\u00a0<\/strong><\/span><\/a><\/h5>\n
Clarity: 50 \u2022 Definition: 15 \u2022 Highlights: -20 \u2022 Shadows: +21<\/h5>\n

\"Autochrome-Kat-Leeds-Meininger\"<\/a><\/p>\n

 <\/p>\n

Omar Santamaria<\/h4>\n

\"My initial impression about the AutoChrome SnapPak<\/strong> was cautious and half-hearted. The images looked kind of cold, and the faded colors with that strange texture seemed like nothing useful for my stills. Then I gave it a try with some street shots, using flashes like Jolly Rainbo 2X<\/strong> and Triple Crown<\/strong>, and lenses like Sergio<\/strong> and Tejas<\/strong>, and the outcome was pretty nice on the eye (my eye). A special tip, using the vibrancy slider, top right or left, may show interesting results. A final tip: Lumi\u00e8re<\/strong> is definitely a good choice.\"<\/em><\/p>\n

Lens: \u00a0Lumi\u00e8re\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0A-Type Plate\u00a0<\/strong><\/span><\/a><\/h5>\n
Flash: \u00a0Jolly Rainbo 2X\u00a0<\/strong><\/span><\/a><\/h5>\n
Exposure: -0.1 \u2022 Clarity: 25 \u2022 Definition: 21 \u2022 Texture: 21 \u2022 Film Grain: 14 \u2022 Vignette: 43<\/h5>\n

\"Autochrome-Omar-Santamaria\"<\/a><\/p>\n

 <\/p>\n

Nadja Franz<\/h4>\n

\"Which photographer wouldn\u2019t be curious to try out a lens named after the innovative Lumi\u00e8re<\/strong>? I recently became interested in the Infrared<\/strong>, using the Bucktown Hipstapak<\/strong>, so I tried using the Lumi\u00e8re<\/strong> lens instead of the Scott S<\/strong> lens, with the BlackKeys IR<\/strong> film. I must say the results are stunning. The Lumi\u00e8re<\/strong> lens adds drama to an already interesting black and white infrared composition. Maximizing the contrast and adding that old school frame, creates an even more mysterious appearance. I\u2019m looking forward to trying out the full Autochrome SnapPak<\/strong>, with a matching topic.\"<\/em><\/p>\n

Lens: \u00a0Lumi\u00e8re\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0Blackeys IR\u00a0<\/strong><\/span><\/a><\/h5>\n

\"Autochrome-Nadja-Franz\"<\/a><\/p>\n

 <\/p>\n

Tariq Kieran<\/h4>\n

\"As a huge fan of both the C<\/strong> and D-Type<\/strong>\u00a0films, I was excited as soon as I saw that this pak included the A-Type<\/strong> film - even before having any idea of what it does! So perhaps that belies a bit of a bias? Regardless, I really do enjoy this film effect. Because there is a certain melancholy inherent in this textured desaturation, I find the Autochrome<\/strong> combo to work really well in outdoor situations that already have somewhat muted colors. The Lumi\u00e8re<\/strong> Lens helps pull forward some of the color that would have been drained completely by the A-Type<\/strong> film. The result can be an image with a certain cinematic quality that maintains the vintage element many of us love about Hipstamatic<\/strong> images.\"<\/em><\/p>\n

Lens: \u00a0Lumi\u00e8re\u00a0<\/strong><\/span><\/a><\/h5>\n
Film: \u00a0A-Type Plate\u00a0<\/strong><\/span><\/a><\/h5>\n
Exposure: +0.1 \u2022 Clarity: 15 \u2022 Definition: 30 \u2022 Vignette: 100<\/h5>\n

\"Autochrome-Tariq-Kieran\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

1903: Auguste and Louis Lumi\u00e8re invented the first camera, capable of capturing life in color: the autochrome. More than a hundred years later, Hipstamatic pays tribute to the two pioneers with their Autochrome HipstaPak. The Hipstamatic catalogue now has another new lens, the Lumi\u00e8re and a new film, the A-Type Plate. Here are a few […]<\/p>\n","protected":false},"author":6,"featured_media":61884,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[34,43],"tags":[540],"class_list":["post-61908","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","category-pak-2","tag-essential"],"yoast_head":"\nThe Autochrome SnapPak: your reactions - hipstography, Hipstamatic<\/title>\n<meta name=\"description\" content=\"More than a hundred years later, Hipstamatic pays tribute to the two pioneers with their Autochrome HipstaPak. 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