{"id":9019,"date":"2013-04-07T08:10:30","date_gmt":"2013-04-07T06:10:30","guid":{"rendered":"http:\/\/hipstography.com\/?p=9019"},"modified":"2013-04-07T18:38:13","modified_gmt":"2013-04-07T16:38:13","slug":"hipstaclass-009-006-conclusion-be-creative-2","status":"publish","type":"post","link":"https:\/\/hipstography.com\/en\/hipstaclass-multi-en\/hipstaclass-009-006-conclusion-be-creative-2.html","title":{"rendered":"Hipstaclass 009 \u2013 006: Conclusion &#8211; Be creative"},"content":{"rendered":"<p style=\"text-align: justify;\">Multiple Exposure can be more than replicating a subject or superimposing random scenes. In the example above two elements are combined to make a single, new subject. Multiple Exposure can be used to tell a narrative, create abstract patterns, or create a collage.<\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p style=\"text-align: center;\"><strong>Example, Composite Image<\/strong><br \/>\nTinto 1884 \/ Rock BW-11 \/ Off<br \/>\nPhoto By Jose Michael Rodriguez<\/p>\n<p style=\"text-align: justify;\">Here, <strong>Jose Michael Rodriguez<\/strong> combined two exposures to create one, singularly unique image. Mike's Notes: \"<em>1st image was me. 2nd image was made with my fingers over the lens, leaving only a crack to allow the light of the ceiling light in. I played with the distance of the fingers from the lens to create a bit of the lens flare.<\/em>\"<\/p>\n<p style=\"text-align: justify;\">Other photographers took advantage of <a href=\"http:\/\/hipstography.com\/en\/manual\/multi-exposure-with-hipstamatic-the-basics-2.html\"><span style=\"text-decoration: underline;\"><strong>Portrait Orientation lock<\/strong><\/span><\/a>. When the Multiple Exposure Kit is initiated, the iPhone's auto-orientation is disabled if the device is rotated for the subsequent exposures. Note that this is for the camera only; the application interface will auto-orient, unless the photographer has set Portrait Orientation Lock ON in their device settings.<\/p>\n<p style=\"text-align: justify;\">Still others use Multiple Exposure to create abstract patterns which are themselves works of art.<\/p>\n<p style=\"text-align: center;\">ngg_shortcode_1_placeholder<\/p>\n<p style=\"text-align: center;\"><strong>Example, Telling a Narrative:<\/strong><br \/>\n\"Apontar \u00c8 Feio (Pointing is Ugly)\"<br \/>\nWatts \/ Ina's 1969 \/ Off<br \/>\nPhoto by Carlos Vilella<\/p>\n<p style=\"text-align: center;\">ngg_shortcode_2_placeholder<\/p>\n<p style=\"text-align: center;\"><strong>Example, Abstract Patterns<\/strong><br \/>\nIncredibooth \/ Haus O'Haunt \/ Salvador 84<br \/>\nMark Allan Smith, Hipstamatic UK<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-align: justify;\">Many people try the <strong>Multiple Exposure Kit<\/strong>, end up with a jumbled, overexposed mess. They become too discouraged to try again. But if you plan ahead regarding the exposure levels, environment and subject composition, you can reliably make a quality picture. Of course, planning ahead is often counter intuitive to the Hipstamatic model of random effects and 'shooting from the hip'.<\/span><\/p>\n<p style=\"text-align: justify;\">This ends our series on Multiple Exposure. Again, many thanks to the 47 volunteers who participated in experimenting with,and gathering, these images, making this class possible. To reference the original class, please visit our Facebook community page in the 'Albums' section.<\/p>\n<p style=\"text-align: center;\">ngg_shortcode_3_placeholder<\/p>\n<p style=\"text-align: center;\"><strong>Example, Telling a Narrative: \"The Fog Of War\"<\/strong><br \/>\nIncredibooth \/ Haus O'Haunt \/ Zoomba<br \/>\nPhoto by David Brown<\/p>\n<p style=\"text-align: center;\">ngg_shortcode_4_placeholder<\/p>\n<p style=\"text-align: center;\"><strong>Example, Composite Image<\/strong><br \/>\nFoxy \/ Sugar \/ Off<br \/>\nPhoto By David Brown<\/p>\n<p style=\"text-align: justify;\">[button color=\"blue\" link=\"http:\/\/www.facebook.com\/pages\/Hipstamatic-New-England\/215153518534085\"]Hipstamatic New England[\/button]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Multiple Exposure can be more than replicating a subject or superimposing random scenes. In the example above two elements are combined to make a single, new subject. Multiple Exposure can be used to tell a narrative, create abstract patterns, or create a collage. Example, Composite Image Tinto 1884 \/ Rock BW-11 \/ Off Photo By [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":9039,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[500],"tags":[305,502,370,283],"class_list":["post-9019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hipstaclass-multi-en","tag-exhibition-en","tag-hipstaclass-009-multiple-exposure-en","tag-multi-exposure-kit-en","tag-multiple-exposure-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hipstaclass 009 \u2013 Conclusion - Be creative - hipstography, Hipstamatic<\/title>\n<meta name=\"description\" content=\"Hipstamatic UK Many people try the Multiple Exposure Kit, end up with a jumbled, overexposed mess. They become too discouraged to try again. 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