All posts by Eric
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Combo #15 (Facundo Di Muro)
Lens: Lucas AB2 Film: Dylan Flash: RedEye Gel "The Lucas AB2 Lens is one of my favourite lenses, it works well both indoors and outdoors. Combined with the right film and flash, this can certainly be one...
- Posted December 5, 2012
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Combo #14 (Kathleen Magner-Rios)
Lens: Loftus Film: DC Flash: off "This combo is probably my favourite. The DC film saturates colours and brings life to the light it captures. The Loftus lens gives balance to the film as the edges fade...
- Posted December 5, 2012
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Hipstoilette by Mickael Le Canu
"Taking photos of toilet signs? You must be joking – you might just as well photograph bits of paper lying around in the street!" This is typical of the type of reaction that Mickael Le Canu got...
- Posted December 4, 2012
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Life In LoFi – Marty Yawnick
"I have a camera. Sometimes, I use it to make phone calls." Marty Yawnick is a freelance graphic designer and he owns Type A Design, a small graphic design studio based in Dallas/Fort Worth. He holds a...
- Posted December 4, 2012
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Combo #13 (Zet A. Jones)
Lens: Foxy Film: Kodot XGrizzled Flash: off "I would describe this combo as 'The evolution of the retro postcard look with chirpy colours'. The square Hipstamatic format adds some additional spice and it works very well in...
- Posted December 4, 2012
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Combo #12 (Joe Morrissey)
Lens: Helga Viking Film: BlacKeys SuperGrain Flash: Standard "The 'go to' combo for black and white shots, the SuperGrain film gives a subtle black boarder to the crisp shades captured with the Helga Viking lens. As with...
- Posted December 3, 2012
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Combo #11 (Kim Martino)
Lens: Chunky Film: Ina's 1982 Flash: Jolly Rainbo 2X "The cinematic qualities, sharp focus, and warm orange, random flares of the Chunky lens are showcased with the effects-neutral Ina's 1982 film. I almost always use the Jolly...
- Posted December 3, 2012
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Combo #10 (Francesco Recchia)
Lens: John S Film: BlacKeys SuperGrain Flash: off "For some months now this combo has become my favourite. It adds the pronounced contrast offered by the BlackKeys SuperGrain film and John S’s good rendering of details to...
- Posted December 3, 2012
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Combo #9 (Hugo’s Hipstamatics)
Lens: Wonder Film: W40 Flash: off "This combo brings out the colour blue, so it's great for blue skies with some cloud and because of the high contrast, also whites also stands out. The black frame makes...
- Posted December 3, 2012
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Combo #8 (Annie Helmsworth)
Lens: Watts Film: Ina's 1982 Flash: off "This combo is somewhat magical in my book, its ability to turn sunsets and sunrises into the most wonderful representation of Mother Nature’s handiwork is amazing. It's also a good...
- Posted December 3, 2012