![hornbecker_27 hornbecker_27](https://hipstography.com/wp-content/gallery/chris-hornbecker-gallerie-finale/thumbs/thumbs_hornbecker_27.jpg)
![annabel_pretty_c4_06 annabel_pretty_c4_06](https://hipstography.com/wp-content/gallery/combo-82-annabel-pretty/thumbs/thumbs_annabel_pretty_c4_06.jpg)
![giorgio_giunta_combo02_006 giorgio_giunta_combo02_006](https://hipstography.com/wp-content/gallery/combo-110-giorgio-giunta/thumbs/thumbs_giorgio_giunta_combo02_006.jpg)
![carlos-agrazal_p_07_05 carlos-agrazal_p_07_05](https://hipstography.com/wp-content/gallery/portfolio-carlos-agrazal/thumbs/thumbs_carlos-agrazal_p_07_05.jpg)
![buenos_aires_hipstapak_pak_fr_03 buenos_aires_hipstapak_pak_fr_03](https://hipstography.com/wp-content/gallery/buenos-aires-hipstapak-pak-fr/thumbs/thumbs_buenos_aires_hipstapak_pak_fr_03.jpg)
![jose_michael_rodriguez_portfolio_12 jose_michael_rodriguez_portfolio_12](https://hipstography.com/wp-content/gallery/portfolio-jose-michael-rodriguez/thumbs/thumbs_jose_michael_rodriguez_portfolio_12.jpg)
![joe_lord_portfolio_07 joe_lord_portfolio_07](https://hipstography.com/wp-content/gallery/portfolio-joe-lord/thumbs/thumbs_joe_lord_portfolio_07.jpg)
![herve_bessege_portes_13 herve_bessege_portes_13](https://hipstography.com/wp-content/gallery/les-portes-herve-bessege/thumbs/thumbs_herve_bessege_portes_13.jpg)
![stephane_saint-alme_portfolio_05 stephane_saint-alme_portfolio_05](https://hipstography.com/wp-content/gallery/portfolio-stephane-saint-alme/thumbs/thumbs_stephane_saint-alme_portfolio_05.jpg)
"I would never have shot with this combo if it were not for the Week 102 Contest in Hipstamatic Sardinia (so thank you Sardinia!). I have always enjoyed the Wonder lens for street photography in particular, but have also found, along with many others in the contest I am sure, that the slightly nuanced saturation of the DreamCanvas film works rather well with the naturally unsaturated, bluish nuances of the lens itself, whether the composition contains earth, rock, sky, or shadow. All images shot in Toronto."
Matthew Wylie
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