The Hipstography Awards 2013 – Nominees for Multi-Exposure of the Year

Which are your favorite 3 photos? You can vote for one of them, or two or three, it’s entirely up to you; the maximum, however, is three.

Only one vote per person is allowed. The message "Thank you for your vote" means that your vote has been registered.

Voting for this category will end on Sunday February 2nd.

*Please note that this particular category happens to contain some members of the overall jury; however, these specific members were not a component of the jury panel for this specific category of Multiple-Exposure and were nominated as contributing hipstographers.

[yop_poll id="21"]

Photo by Tom Choinski

Lens:  Watts 

Film:  Rock BW-11 

Flash:  Dreampop 

Using:  Multiple Exposure Kit 

"Each year my Husband and I celebrate our wedding anniversary in the place we were married - Provincetown, Massachusetts. It coincides with an annual charity performance of local performers - mostly female impersonators - who raise money for the local AIDS support group. My husband hates sitting in the front row, but that's where the great pictures are. I used the Watts/Rock combo in part because it was the 'combo of the week' at Hipstamatic Sardinia, in part because stage lighting is actually very challenging to shoot 'from the hip'. Everything is either extremely brighlty lit or pitch black. Rock boosts exposure in dark conditions. I threw in Dreampop flash because it sometimes it creates an interesting flare with Black & White film (not evident in this image). Also, Dreampop actually darkens a photo similar to Jolly Rainbo, but not so severely. I also realized I hadn't been taking that many Multiple exposure shots, so I was experimenting with some technique. The challenge at that moment was not being able to predict the performer's movements."
Tom Choinski

Photo by Alex Fung

Lens:  John S 

Film:  AO DLX 

Flash: off

Using:  Multiple Exposure Kit 

"This shot is a result from experimenting with the Multiple Exposure Kit. It was inspired by anatomical diagrams from old textbooks."
Alex F.

Photo by David Norbut

Lens:  John S 

Film:  Dylan 

Flash: off

Using:  Multiple Exposure Kit 

"Double Exposure of the band 'Heavy Temple' shot at dawn with Hipstamatic combo John S & Dylan. Originally shot for Hipstaroll week 86.

Simply put, I dreamed of this image the night before. I knew a hooded cloak was in the wardrobe plans for Elyse (singer/bass). And I thought the darkness of the early morning, the hood and the backlight would produce a perfect dark void to fill with an additional shot of the band on the horizon line. This was my first attempt and I liked it so much I did not bother to shoot it again.

I shoot a lot of musicians and Hipstamatic is always a good tool for a unique addition to professional DSLR images. The bands really dig the vintage feel the app brings to their look, and I really enjoy the experimenting with different combos for different situations or different visions."
David Norbut

Photo by Justin Sheps

Lens:  Tejas 

Film:  Float 

Flash:  Jolly Rainbo 2X 

Using:  Multiple Exposure Kit 

"After experimenting with a few films for this multi, everything seemed overexposed. Then I went with Tejas for the blues, Float for a darker rendering and Jolly Rainbo 2X to prevent over exposure. The first shot was horizontal and the second was fixed on a cloud formation. This was fun to take!"
Justin Sheps

Photo by Simone Muresu

Lens:  Wonder 

Film:  Blanko Freedom13 

Flash:  Jolly Rainbo 2X 

Using:  Multiple Exposure Kit 

"When light goes down, Hipstamatic seeks focus; so I switch off my torch led light and when I switch it on again and shoot, Hipstamatic can't focus quick enough, so i get this blurred effect."
Simone Muresu

Photo by Thérèse Cherton

Lens:  Tinto 1884 

Film:  Sugar 

Flash: off

Using:  Multiple Exposure Kit 

"Double exposure is an exercise in technique. Thanks to Tom's Hipstaclass, I have experimented with multiple exposure and learnt how to use it. I had already tried out double exposure but I had not realised that by moving the slider again, I could use this function 2, 3, 4 or more times. Once I realised this I tried it out, with various backgrounds and objects: on white and on dark backgrounds: the latter was more effective for this exercise. The spoons really caught the light. To avoid any interference due to shaking, I mounted the iPhone on a stand."
Thérèse Cherton

Photo by Jose Vazquez

Lens:  Jimmy 

Film:  Ina's 1969 

Flash:  Pop Rox 

Using:  Multiple Exposure Kit 

"This was a spontaneous image (and mutation). I've been working long hours at work so I decided to take a quick break and shoot a silly selfie with a mutli-exposure twist. Much to my surprise, I was happy (and a bit freaked out) with my first attempt. "
Jose Vazquez

Photo by Angela Henderson

Lens:  Wonder 

Film:  W40 

Flash: off

Using:  Multiple Exposure Kit 

"That photo was a happy accident, taken with the double-exposure feature of the app. My husband is obsessed with boardwalks and I am obsessed with Hipstamatic so I am happy to combine the two to make this photo."
Angela Henderson

Photo by Jade Deakin

Lens:  Tejas 

Film:  Ina's 1935 

Flash:  Jolly Rainbo 2X 

Using:  Multiple Exposure Kit 

"This photo is part of the portfolio "A convoluted city. These images are from a continuous project I've been doing about living in Hong Kong. It can be a hectic place sometimes; you never really see people just going for a stroll, everyone always seems to be rushing everywhere all the time. I love Hipstamatic's multiple exposure tool and I used it for these images to try to capture the movements and motion of the crowds. It's been good experimenting and seeing under what conditions the multiple exposure setting works best. Anymore than 3-4 exposures and the image is very blown-out, although obviously with lower lighting you can achieve a better result with more exposures. I found that by adding Jolly Rainbo 2x flash the results are a little brighter and clearer, and after experimenting with a couple of coloured films and lenses, I settled on mainly using Tejas with Ina's 1935 which gives you quite bold colours when combined with the Jolly Rainbow flash. I also really like the ambiguity of the black and white images, where the focus is more on the forms in the image."
Jade Deakin

Photo by Samantha Nason

Lens:  Foxy 

Film:  GS-0 

Flash: off

Using:  Multiple Exposure Kit 

"Truth and Beauty"

"I seek truth and beauty in the transparency of an autumn leaf... in the curve of a woman's back..." (Isabel Allende)
Samantha Nason

This post is also available in: French

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